Milwaukee, WI (04-Jul-99)

BOB & PAUL-JULY 4th (2 disks)

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Balc. centre

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4.0 (4 votes)

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Never-Ending Tour Concert #1114

• Disk 1
  -Introduction [14:04/2 stills w/opening credits/1 transition]
  -Friend Of The Devil [wandering cam 24:14/1 still w/2 transitions]
  -My Back Pages [fade in @start; 1:27:17 unobstructed start; song obstructed for remainder/2 stills w/2 transitions]
  -Boots Of Spanish Leather [obstructed throughout/1 still w/transition]
  -Don't Think Twice, It's All Right [obstructed 26:21 @start/1 still w/transition; 3:44:14 obstructions & wandering cam/1 still w/2 transitions; obstructed 21:01 -3:05 @end for a/v sync/1 still w/transition]
  -Tangled Up In Blue [wandering cam 2:21:21/1 still w/2 transitions; cam goes to big screen 12:11 /1 still w/transition; cam back to stage 5:15/1 still w/transition; obstructed 1:00:07/1 still w/transition; obstructed 26:00/1 still w/transition; final 2:14:16 too obstructed to use/1 still w/fade out; long transition to next song 1:15:06 cut; left 12:26 audio from cut for smoother sound transition/1 black still]
  -All Along The Watchtower [1:04:20 obstructed @ start/1 still w/ transition; cam goes to big screen @34:10:20 then alternates from big screen to stage; 15:22 transition to next song obstructed/1 black still w/transition]
  -Tryin' To Get To Heaven [obstructed start 52:17/1 still from big screen w/transition; remainder of song on big screen; 20:1 transition to next song unfocused/1 black still]
  -Stuck Inside Of Mobile With The Memphis Blues Again [obstructed start 24:10/1 still w/transition; cam on big screen for remainder of song; 10 frames removed @47:33:26 for a/v sync; audio source transition to next song cut 27:19/extracted audio from video source to fill gap]
  -Make You Feel My Love [cam on big screen for entire song; audio source 1st verse clipped 52:05 /used audio from video soundtrack to fill gap; obstructed/wandering cam 10:16/1 still w/transition; 21 frames removed @ 52:36:03 for a/v sync; obstructed 14:21/1 still w/transition; fade out @ end; end disk 1 title added]
• Disk 2
  -Band Introductions and Joke [cam on big screen; opening titles; audio gap before Tony intro/extracted audio from video soundtrack to fill]
  -Highway 61 Revisited [cam on big screen for entire song; 10 frames removed @55:40:06 for a/v sync; 20 frames removed @58:11:23 for a/v sync; removed 1:55:04 audi/video audience applause before encore/1 transition]
  -Like A Rolling Stone [cam on big screen for entire song; 4:11 still added @ start; 10 frames removed @6:36:08 for a/v sync; 10 frames removed @11:12:05 for a/v sync due to audio blip; cut 4:08 video in transition to next song for a/v sync]
  -Blowin' In The Wind [cam on big screen for entire song; 10 frames removed @15:20:14 for a/v sync; wandering cam 29:18/1 still w/transition; shaky transition to next track 20:02/1 black still w/transition]
  -Bob Introduces Paul [cam on big screen; obstructed start 3:04/1 still w/transition]
  -The Sound Of Silence (with Paul Simon) [1 second video removed for a/v sync; cam alternates between big screen and stage; 20 frames removed @23:33:08 for a/v sync; shaky end 14:14/fade out w/still; shaky 29:20 transition to next song/1 black still]
  -That'll Be The Day (with Paul Simon) [cam on big screen for entire song; shaky start 4:13/1 still w/transition; 1:29 blip in audio before next song/1:29 video removed]
  -The Wanderer (with Paul Simon) [cam on big screen for entire song; 3:20 blip in audio before next song/3:20 video removed]
  -Knockin' On Heaven's Door (with Paul Simon) [cam on big screen for entire song; transition added @start; 5 frames removed @34:15:16 for a/v sync; end thanks, salute, fade out]

» Toggle additional (technical) track info

Sincere thanks to raygunner for the master tapes and to OutsideTheLaw for the audio.

Sourced from master tapes; sound upgraded with LB-5207.
Mostly focused on big screen due to unfortunate position of taper in back of walkway, but worth salvaging.
D-A-S-H-F based on show as edited. S & H ratings would be lower if unedited. F rating is compromise between stage shots, which are excellent, and big screen shots, which are on the dark side.