Distance:
Audio:
Steadiness:
Heads:
Focus/Light:
Position:
Balc. centre
Avg.Rating:
3.3 (4 votes)
DVDylan ID: | D854 |
Recording type: | Audience |
City/Venue: | Marcus Amphitheatre, Milwaukee, WI, USA |
Date: | Sunday, 4th July 1999 |
Never-Ending Tour Concert #1114
- Opening Credits/Introduction [14:04/2 stills w/titles/1 transition]
- Friend Of The Devil [wandering cam 24:14/1 still w/2 transitions]
- My Back Pages [fade in @start; 1:27:17 unobstructed start; song obstructed for remainder/2 stills w/2 transitions]
- Boots Of Spanish Leather [obstructed throughout/1 still w/transition]
- Don't Think Twice, It's All Right [obstructed 26:21 @start/1 still w/transition; 3:44:14 obstructions & wandering cam/1 still w/2 transitions; obstructed 21:01 -3:05 @end for a/v sync/1 still w/transition]
- Tangled Up In Blue [wandering cam 2:21:21/1 still w/2 transitions; cam goes to big screen 12:11 /1 still w/transition; cam back to stage 5:15/1 still w/transition; obstructed 1:00:07/1 still w/transition; obstructed 26:00/1 still w/transition; final 2:14:16 too obstructed to use/1 still w/fade out; long transition to next song 1:15:06 cut; left 12:26 audio from cut for smoother sound transition/1 black still]
- All Along The Watchtower [1:04:20 obstructed @ start/1 still w/ transition; cam goes to big screen @34:10:20 then alternates from big screen to stage; 15:22 transition to next song obstructed/1 black still w/transition]
- Tryin' To Get To Heaven [obstructed start 52:17/1 still from big screen w/transition; remainder of song on big screen; 20:1 transition to next song unfocused/1 black still]
- Stuck Inside Of Mobile With The Memphis Blues Again [obstructed start 24:15/1 still w/transition; cam on big screen for remainder of song; audio source transition to next song cut 27:19/extracted audio from video source to fill gap]
- Make You Feel My Love [cam on big screen for entire song; audio source 1st verse clipped 52:05 /used audio from video soundtrack to fill gap; obstructed/wandering cam 10:16/1 still w/transition; obstructed 14:21/1 still w/transition; fade out @ end; obstructed transition to band intro/1 black still w/2 transitions]
- Band Introductions and Joke [cam on big screen; audio gap before Tony intro/extracted audio from video soundtrack to fill]
- Highway 61 Revisited [cam on big screen for entire song; 10 frames removed @55:40:06 for a/v sync; 20 frames removed @58:11:23 for a/v sync; removed 1:55:04 audi/video audience applause before encore/1 transition]
- Like A Rolling Stone [cam on big screen for entire song; 10 frames removed @1:00:40:15 for a/v sync; 10 frames removed @1:05:12:10 for a/v sync; cut 4:08 video in transition to next song for a/v sync]
- Blowin' In The Wind [cam on big screen for entire song; 10 frames removed @1:10:22:26 for a/v sync; wandering cam 29:18/1 still w/transition; shaky transition to next track 20:02/1 black still w/transition]
- Bob Introduces Paul [cam on big screen; obstructed start 3:04/1 still w/transition]
- The Sound Of Silence (with Paul Simon) [1 second video removed for a/v sync; cam alternates between big screen and stage; 20 frames removed @1:17:34:03 for a/v sync; shaky end 14:14/fade out w/still; shaky 29:20 transition to next song/1 black still]
- That'll Be The Day (with Paul Simon) [cam on big screen for entire song; shaky start 4:13/1 still w/transition; 1:29 blip in audio before next song/1:29 video removed]
- The Wanderer (with Paul Simon) [cam on big screen for entire song; 3:20 blip in audio before next song/3:20 video removed]
- Knockin' On Heaven's Door (with Paul Simon) [cam on big screen for entire song; 5 frames removed @1:28:16:01 for a/v sync; end thanks, salute, fade out]
Number of discs: | 1 |
Running time: | 01:31:56 |
Video standard: | NTSC |
Authoring: | DVDs with menu and chapters are circulating |
Sincere thanks to raygunner for the master tapes and to OutsideTheLaw for the audio.
Sourced from master tapes, sound upgraded with LB-5207.
Mostly focused on big screen due to unfortunate position of taper in back of walkway, but worth salvaging.
D-A-S-H-F based on show as edited. S & H ratings would be lower if unedited. F rating is compromise between stage shots, which are excellent, and big screen shots, which are on the dark side.