Screenshots
Distance:
Audio:
Steadiness:
Heads:
Focus/Light:
Position:
Balc. centre
Avg.Rating:
4.0 (3 votes)
DVDylan ID: D232.msu
Recording type: Audience
City/Venue: London, UK/Hammersmith Odeon
Date: Sunday, 17th February 1991
Special thanks for the video to THE GHOST & DANGER MAN.
Additional thanks for the audio to LTB, BLINDWILLY & STROPHOB.
Edited, sound upgraded & authored by YASSOU.
  1. Beginning [titles over 15:11 still followed by introduction over 5:12 cam 1 still; speed of upgrade audio increased 0.9%]
  2. Most Likely You Go Your Way (And I'll Go Mine) [missing/6 cam 2 stills]
  3. Lay, Lady, Lay [no useable footage/7 cam 2 stills; fade out to cam 2 still]
  4. Masters Of War [start obstr & off-target 20:09/two cam 1 stills; then cam 1]
  5. The Man In Me [obstr./57:19 cam 2 clip + 6:21 cam 2 still; trans. obstr/3:13 cam 1 still]
  6. Gotta Serve Somebody [obstr. start/3:07 cont. cam 1 still; cam 1 only]
  7. Wiggle Wiggle [obstr. start 4:02 cam 2 still then cam 2 for remainder; trans. to next song obstr. 21:18/one cam 2 still]
  8. Bob Dylan's Dream [obstr. start/32:10 cam 1 still; obstr./16:12 cam 1 still; obstr. end & trans./5:02 cam 1 still]
  9. Love Minus Zero/No Limit [no useable footage/one cam 1 still & one cam 2 still for harp break; obstr. end & trans./9:12 cam 1 still]
  10. Mr. Tambourine Man [obstr. start/9:12 cam 1 still; obstr./19:14 cam 1 still; obstr end & trans 17:15/2 cam 1 stills]
  11. Girl Of The North Country [obstr. start/27:13 cont. cam 1 still; trans. cut/5:16 cam 1 still + 5:14 audio from video soundtrack to fill cut; increased speed of audio upgrade source to 1%]
  12. Everything Is Broken [beginning & end used cam 1; used cam 2 for 2:31:10]
  13. Man In The Long Black Coat [upgrade audio cut 10:04/used video soundtrack to fill gap; alt. cam 1 & cam 2 but mostly cam 2]
  14. Seeing The Real You At Last [removed 3 frames before song for a/v sync; used cam 2 except beginning & end]
  15. Under The Red Sky [removed 5 frames before song for a/v sync; used cam 2 except beginning; trans to next song cut/11:09 cam 2 still]
  16. God Knows [clipped 1:00:16/2 cam 1 stills; only cam 1 footage]
  17. I Shall Be Released [removed 3 frames before song for a/v sync; only cam 1 footage]
  18. Like A Rolling Stone [only cam 1 P; removed 5 frames before song for a/v sync; removed 5 frames @1:10:09:22 for a/v sync; obstr. 44:00 break before encore/1 cam 1 still]
  19. The Times They Are A-Changin' [obstr. start/10:19 cam 1 still]
  20. Highway 61 Revisited (w/George Harrison and Ron Wood) [removed 5 frames before song for a/v sync; alternated Cam 1 & Cam 2]
  21. End Thanks & Credits [end thanks/credits/salute/fadeout; extracted 11:14 audio from video soundtrack to fill out end]
» Toggle additional (technical) track info
Number of discs: 1
Running time: 01:23:07
Video standard: PAL
Authoring: DVDs with menu and chapters are circulating
Disc author's rating:
5 point scale: 3->5/5/3-/3/3+
15 point scale: 8->14/14/7/7/9 (avg. 9.25 C+)

VIDEO SOURCES & LINEAGE:
CAM 1 (used except as noted on setlist details):
D232.m (Masters Series 074)
5/8/7/7/8 (10-point scale)
Left center balcony 5˙
1:20
Filmer: The Ghost
Disc author: The Ghost
Shared by The Ghost via DIME tracker
VOB files > DIME > hard drive > MPEG Streamclip 1.9.2 > dv > iMovie 6.0.3

CAM 2 (used for missing part of Cam 1 and where it's less obstructed; see setlist details):
Uncirculated recording
3->5/4-/3/5/5- (5-point scale)
Left balcony 10˙
0:34:39
PAL
Filmer: Danger Man
Disc author: The Ghost
Shared by The Ghost via WeTransfer
VOB files > WeTransfer > hard drive > MPEG Streamclip 1.9.2 > dv > iMovie 6.0.3

AUDIO SOURCE & LINEAGE:
LB-1941
Taper: Legendary Taper B
Shared by blindwilly & strophob via ElectricLadyland tracker
flac files > EL > hard drive > xACT 2.33 > aiff > Toast Titanium 11.0.4 > SD II > Audacity 2.0.0 > +0.9% > aiff > iMovie 6.0.3.

DVD PRODUCTION PROCESS:
Produced by yassou on a MacBook Pro running Lion 10.7.5 and Apple software.
Audio and video assets edited in iMovie 6.0.3; authored, multiplexed and burned to VIDEO_TS folder in iDVD 7.1.2 (Professional Quality 2-pass variable bit rate encoding)


5 point scale: 3->5/5/3-/3/3+
15 point scale: 8->14/14/7/7/9 (avg. 9.25 C+)
1:23:06:22
PAL

PERFORMANCE/HIGHLIGHTS/LOWLIGHTS/SPECIAL MOMENTS:
-George Harrison and Ron Wood come on stage at end bearing bouquets for Bob
-Bob's excellent harp playing on several songs
-Bob's heart-felt singing on "Bob Dylan's Dream"
-blistering lead by JJ on "Masters Of War"
-very enthusiastic audience, especially a couple of guys who keep calling out
requests for "Under The Red Sky" songs, with one guy repeatedly calling for "Handy Dandy"

DISTANCE/POSITION:
Cam 1:
8->14 (Left center balcony 5˙/good position, but rail and bodies were a problem; not much opportunity for panning, but taper uses zoom to good effect; Cesar Diaz rarely seen, but check end of "Everything Is Broken")

Cam 2:
9->14 (Left center balcony 10˙; closer on Dylan than Cam 1 with zooming used to good effect; better shots of Cesar Diaz than on Cam 1)

AUDIO: 13 (excellent LTB/speed had to be increased 0.9% & 1.00% to match video speed)

STEADINESS: Cam 1: 7; Cam 2: 7

HEADS/OBSTRUCTIONS: Cam 1: 7; Cam 2: 14

FOCUS: Cam 1: 9 (rather dark, but focus, color and sharpness ok)
Cam 2: 13 (better light than Cam 1 + good focus, color and sharpness)

EDITING: no footage for song 1 and nothing suitable for song 2; cam 1 & 2 stills used to fill; cam 2 used for missing or obstructed parts of cam 1; otherwise, both cams used in alternation where feasible (see setlist details)

VIDEO SOURCES & LINEAGE:
CAM 1:
D232.m (Masters Series 074)
5/8/7/7/8 (10-point scale)
Left center balcony 5˙
1:20
Filmer: The Ghost
Disc author: The Ghost
Shared by The Ghost via DIME tracker
VOB files > DIME > hard drive > MPEG Streamclip 1.9.2 > dv > iMovie 6.0.3

CAM 2:
Uncirculated recording
3->5/4-/3/5/5- (5-point scale)
Left balcony 10˙
0:34:39
PAL
Filmer: Danger Man
Disc author: The Ghost
Shared by The Ghost via WeTransfer
VOB files > XXX > hard drive > MPEG Streamclip 1.9.2 > dv > iMovie 6.0.3

AUDIO SOURCE & LINEAGE:
LB-1941
Taper: Legendary Taper B
Shared by blindwilly & strophob via ElectricLadyland tracker
flac files > EL > hard drive > xACT 2.33 > aiff > Toast Titanium 11.0.4 > SD II > Audacity 2.0.0 > +0.9% & 1.00% > aiff > iMovie 6.0.3.

DVD PRODUCTION PROCESS:
Produced by yassou on a MacBook Pro running Lion 10.7.5 and Apple software.
Audio and video assets edited in iMovie 6.0.3; authored, multiplexed and burned to VIDEO_TS folder in iDVD 7.1.2 (Professional Quality 2-pass variable bit rate encoding)

COOPS2009 NOTES FOR D232.m:
Masters Series 074
D5 A8 S7 H7 F8 BC5D 80 Mins
The final show
By now the taper is close to dead on his feet,
For some reason this is a much darker film than yesterday, though he is in a
very similar position. Its not the best by any means but the surprise arrival of
George Harrison and Ron Wood at the end is captured beautifully and is worth the
dload alone,
DVD Vob format MPEG-2 Sys Bitrate 10080 kb/s VBR
Pic/s 25.000 Frames/s 25/000 Fields/s 50.000
Pal 4.3 format
pic 720x 576
Audio Stereo AC3 48Khzmes 25.000 fields 50.000
Audio AC3 48 Hz stereo

LB NOTES FOR LB-1941:
Rating: A-
Taper: LTB
An off-master copy of the audience recording by Legendary Taper B.
(43min+41min), An off-master copy of the audience recording by Legendary Taper B.; downloaded from a.b.m.s.d. 07/04; excellent sound, in comparison to previous this one is brighter, clearer but harsher but still and upgrade for most; background crowd singer d2t7

Reviewed by yassou on 21st November 2014