Distance:
Audio:
Steadiness:
Heads:
Focus/Light:
Balc. L20°
Avg.Rating:
| DVDylan ID: | D217.msu |
| Recording type: | Audience |
| City/Venue: | Liverpool, England, UK/Empire |
| Date: | Thursday, 27th June 1996 |
Concert # 793 of The Never-Ending Tour
Bob Dylan (vocal, electric & acoustic guitar, harp)
Bucky Baxter (pedal steel guitar & electric slide guitar; backup vocals)
John Jackson (acoustic & electric guitar, banjo; backup vocals)
Tony Garnier (standup & electric bass)
Winston Watson (drums & percussion)
Al Kooper (organ; backup vocals?)
Filmed by “THE TWO DAVES”
Transferred & disseminated by COOPS2009
Audio recorded by AN UNIDENTIFIED TAPER
Audio shared by OUTSIDETLAW
Edited, sound upgraded & authored by YASSOU
ArtWork courtesy of Alias1976: http://i.imgur.com/Dbt3R7R.jpg
- Opening Titles [fade in to titles over 13:18 still
- Introduction [over 06:04 still]
- Leopard-Skin Pill-Box Hat [clipped/23:14 still; cut 2:25:07/6 stills; light static @3:42:12 and later; trans. to next song off-target/12:08 still]
- Tonight I'll Be Staying Here With You [start off-target 5:04/2:04 cont. still + 2:11 still; cut @7:19:14/9:14 still; next song cut; trans. to song after that cut/4:07 still]
- Under The Red Sky [start off-target 32:01/6:15 cont. still & 9:12 still; trans. to next song obstr./9:05 still]
- Just Like Tom Thumb's Blues [obstr. start/6:13 cont. still; next two songs cut; 3:07 still for trans.]
- John Brown [off-target start 29:05/2 stills; trans. to next song off-target/6:02 still]
- To Ramona [unfocused start/27:08 still; off-target/19:07 still; trans. to next song off-target/21:03 still]
- Ballad Of A Thin Man [off-target start/14:23 still; off-target trans. to next song/3:01 still; CD split before next song]
- When I Paint My Masterpiece [clipped 50:04/2 stills]
- Band Introductions [cut after 1:09/11:06 & 20-frame stills]
- Seven Days [following break audio & video cut/extracted 24:15 audio from video soundtrack and added 16:19 still for a/v sync]
- Alabama Getaway (Hunter/Garcia)[off-target start/7:10 & 4:00 stills; filmer adds ~1 minute of slo-mo special effects @1:03:48]
- End Credits [video cut/credits over 16:11 clip from earlier pre-break]
| Number of discs: | 1 |
| Running time: | 01:08:24 |
| Video standard: | PAL |
| Authoring: | DVDs with menu and chapters are circulating |
DISC AUTHOR'S RATING:
5-point scale: 4-5+/5/3-/3-/5-
15-point scale: 11-15/14/7/7/13 (avg. 10.25 B)
VIDEO SOURCE & LINEAGE:
Masters Series 162
Taper: “The Two Daves”
Transferred & disseminated by Coops2009
D8 A8 S8 H7 F8 BC5
63 mins (incomplete - missing 4 songs; 1 fragmentary song)
EC30 tapes transferred to PC via a Panasonic NV-W1 Professional triple standard vhs machine.
Files authored to DVD with Tempgenc DVD Works Author 4
MS-162 VOB files > hd > MPEG Streamclip 1.9.2 > dv > iMovie 6.0.3
AUDIO SOURCE & LINEAGE:
LB-6903 (Bootleg: “The Empire Strikes Back” Laughing Camel HUMP 001/002)
LB rating: A
Taper: Unidentified
Shared by OutsideTLaw via trade
cd > ultraplex > eac > wav > flac
CDs > hd > aiff files > Toast Titanium 11.0.4 > SD II disk images > iMovie 6.0.3.
COOPS2009 NOTES FOR MS-162:
Not only are both these shows well-filmed, they were brilliant concerts. The band and Bob really COOK,, don't miss em.
Remember even if you have some of the Daves films already that at best your copies will be 2 generations poorer than anything in the Masters series, so get ‘em all.
These will be with original sound though many will feature as sound upgrades eventually with my two mates Yassou and Madhasse helping out.
LB NOTES FOR LB-6903:
has a tv band on d1t9 and spectral bands at 11.5k and 12.5kdrop/cut between cdrs, end of d2t5, d2t9; light static in crowd d2t7 8:02
LB NOTES FOR LB-7289 w/ref to LB-6903:
In 3-way comparison these are different recordings based on different crowd at beginning of d1t1; bootleg LB-6903 has warmest sound, then this, and then LTJ LB-6258; this is a little more echoey.
DVD PRODUCTION NOTES: Audio and video assets edited in iMovie 6.0.3; authored, multiplexed and burned to VIDEO_TS folder in iDVD 7.1.2 (Professional Quality 2-pass variable bit rate encoding)
4-5+/5/3-/3-/5-
11-15/14/7/7/13 (avg. 10.25 B)
Left balcony 10˙
1:08:23:24 (incomplete concert)
PAL
DIFFERENCES AND IMPROVEMENTS OVER D217.ms/MS-162:
-sound upgraded
-missing and obstructed parts filled with stills (missing & fragmentary songs not
included)
-different top and track menus
PERFORMANCE/HIGHLIGHTS/SPECIAL MOMENTS:
-great setlist highlighted by “When I Paint My Masterpiece” and “Seven Days”
-Al Kooper sits in on organ; quite effective on “Just Like Tom Thumb's Blues” and
quite spooky on “Ballad Of A Thin Man”
-nice pedal steel by Baxter on “Tonight I'll Be Staying Here With You”
-terrific performance of “John Brown” w/Jackson on banjo and Dylan’s singing and lead
acoustic highly evocative
-Dylan apparently comes in late on last verse of “Ballad Of A Thin Man” but band
adapts nicely
-wonderful take on “When I Paint My Masterpiece” with Kooper’s organ sounding like an
accordion at times
-Dylan introduces Winston Watson as being from Chicago; he’s from Tucson
-smoking hot guitar by Jackson on “Alabama Getaway”
DISTANCE/POSITION: 11-15 (center balcony) (obstructions in front forced close focus on Dylan mostly chest-up with occasional panning to other players)
AUDIO: 14 (excellent LB-6903; occasional light static)
STEADINESS: 7 (often shaky, but watchable)
HEADS/OBSTRUCTIONS: 7 (bottom part of screen often obstructed)
FOCUS: 13 (excellent color and adequate light; sometimes unfocused or off-target; sometimes grainy on extreme close-ups)
EDITING: editor filled missing and shaky/obstructed/off-target parts with stills; missing and fragmentary songs not included (see setlist details)
Concert # 793 of The Never-Ending Tour
Bob Dylan (vocal, electric & acoustic guitars, harp)
Bucky Baxter (pedal steel guitar & electric slide guitar; backup vocals)
John Jackson (acoustic & electric guitars, banjo; backup vocals)
Tony Garnier (standup & electric bass)
Winston Watson (drums & percussion).
Al Kooper (organ; backup vocals?)
Filmed by “THE TWO DAVES”
Transferred & disseminated by COOPS2009
Audio recorded by
Audio shared by OUTSIDETLAW
Edited, sound upgraded & authored by YASSOU
VIDEO SOURCE & LINEAGE:
Masters Series 162
Taper: “The Two Daves”
Transferred & disseminated by Coops2009
D8 A8 S8 H7 F8 BC5
63 mins
EC30 tapes transferred to PC via a Panasonic NV-W1 Professional triple standard vhs machine.
Files authored to DVD with Tempgenc DVD Works Author 4
MS-162 VOB files > hd > MPEG Streamclip 1.9.2 > dv > iMovie 6.0.3
AUDIO SOURCE & LINEAGE:
LB-6903 (Bootleg: “The Empire Strikes Back” Laughing Camel HUMP 001/002)
LB rating: A
Taper: Unidentified
Shared by OutsideTLaw via trade
cd > ultraplex > eac > wav > flac
CDs > hd > aiff files > Toast Titanium 11.0.4 > SD II disk images > iMovie 6.0.3.
COOPS2009 NOTES FOR MS-162:
Not only are both [Liverpool] shows well filmed they were brilliant concerts
The band an Bob really COOK,, don't miss em.
Remember even if you have some of the Daves films already that at best your copies
will be 2 generations poorer than anything in the Masters series, so get em all.
These will be with original sound though many will feature as sound upgrades eventually with my two mates Yassou and Madhasse helping out
LB NOTES FOR LB-6903:
has a tv band on d1t9 and spectral bands at 11.5k and 12.5kdrop/cut between cdrs, end of d2t5, d2t9; light static in crowd d2t7 8:02
LB NOTES FOR LB-7289 w/ref to LB-6903:
In 3-way comparison these are different recordings based on different crowd at beginning of d1t1; bootleg LB-6903 has warmest sound, then this, and then LTJ LB-6258; this is a little more echoey.
DVD PRODUCTION NOTES:
Audio and video assets edited in iMovie 6.0.3; authored, multiplexed and burned to VIDEO_TS folder in iDVD 7.1.2 (Professional Quality 2-pass variable bit rate encoding)
Reviewed by yassou on 16th February 2016