Rochester, NY (11-Oct-92)

Overall, this is well-worth watching. The sound is well-balanced, with Dylan's voice high in the mix, if a bit fuzzy. The camera is mostly steady, and the focus is mostly sharp and colorful. The film is shot from a position in the crowd, so there are bodies to deal with, which the cameraman achieves for the most part by employing the zoom.

Very nice setlist, especially the acoustic numbers beginning with "Little Moses." Unfortunately, obstructions are problematic throughout the acoustic set. The first song, most of the second song, and the encores are unfortunately missing, but we should be thankful for whatever we can get in this quality from the 1992 run.