Screenshots
Distance:
Audio:
Steadiness:
Heads:
Focus/Light:
Position:
Floor R20°
Avg.Rating:
4.0 (2 votes)
DVDylan ID: D2078
Recording type: Audience
City/Venue: Eastman Theatre, Rochester, NY, USA
Date: Sunday, 11th October 1992
Never-Ending Tour Concert #439
  • DVD1:
    -Pretty Peggy-O [clipped]
    -All Along the Watchtower
    -Just Like A Woman
    -It Takes A Lot To Laugh, It Takes A Train To Cry
    -Under the Red Sky
    -Tangled Up In Blue
    -Little Moses
    -Boots of Spanish Leather
    -It's Alright, Ma (I'm Only Bleeding)
    -Love Minus Zero / No Limit
  • DVD2:
    -Silvio
    -I Don't Believe You (She Acts Like We Never Have Met)
    -The Times They Are A-Changin'
    -Maggie's Farm
» Toggle additional (technical) track info
Number of discs: 2
Running time: 01:32
Video standard: NTSC
Authoring: DVDs with menu and chapters are circulating
The Caretaker writes:

Another previously uncirculated film from the Casper camp.

Camera used was a Sony V-3 8 mm
Transferred to PC from camera via firewire with Adobe Premiere
DVD mastered with Tempgenc Authoring works 6
Title and track menus
DVD VOB format
Sys bitrate 10080 kb/s VBR
Pics/s 29.970 frames 29.970
pic 720 x 480 4.3 (screen arranged for 16.9. that is with black border both sides) NTSC
Video mastered to 9 mbs

Audio JC audio used.
Sennheiser MKE-2002 Binaural Microphones > Sony Walkman Professional Stereo Cassette-Corder WM-D6 > Fuji FR Metal IEC IV / Type IV Cassette
Transferred back on a Nakamichi CR-7A and recorded using Adobe Audition
AC3 48000Hz 384 kb/s stereo

The Caretaker
& the Restoration Team


Overall, this is well-worth watching. The sound is well-balanced, with Dylan's voice high in the mix, if a bit fuzzy. The camera is mostly steady, and the focus is mostly sharp and colorful. The film is shot from a position in the crowd, so there are bodies to deal with, which the cameraman achieves for the most part by employing the zoom.

Very nice setlist, especially the acoustic numbers beginning with "Little Moses." Unfortunately, obstructions are problematic throughout the acoustic set. The first song, most of the second song, and the encores are unfortunately missing, but we should be thankful for whatever we can get in this quality from the 1992 run.

Reviewed by yassou on 28th August 2018