DVDylan ID: D1127
Recording type: Audience
City/Venue: Atlantic City, NJ, USA/Sands Casino, Copa Room
Date: Saturday, 27th February 1999


5+/5+/3+/3+/5+
15/15/9/9/15 (avg. 12.00 B+)
Left floor 10˙
1:14:35:02
NTSC

PERFORMANCE/HIGHLIGHTS/SPECIAL MOMENTS:
-Striking blonde appears on stage after "Can't Wait" and "Tangled Up In Blue." Looked like the same woman who appeared on stage in Bethlehem, PA and Binghamton.
-solid performance w/Dylan in good spirits

DISTANCE/POSITION: 5+ (very close due to restricted shooting window from table or rail. Slightly tilted to the left at times)

AUDIO: 15 (excellent "Mixing Desk" recording)

STEADINESS: 9 (mostly steady once songs get started)

HEADS/OBSTRUCTIONS: 9 (camera hidden between songs but mostly unobstructed once songs get started; waitress briefly gets in way at times)

FOCUS: 15 (excellent color and focus)

EDITING: Editor used stills for missing/obstructed parts and cut down the pre-encore break

VIDEO SOURCE & LINEAGE:
2 master mini-dv tapes
unknown camera > mini dv tapes > CANON ZR700 NTSC Camcorder > iMovie 6.03
5+/3/3/3/5+
15/8/8/8/15
Left floor 10˙
Taper: Unidentified.
Shared by Tom P. & raygun

AUDIO SOURCES & LINEAGE:
"Mixing Desk" audio (no LB listing]
Disc author's rating: A+
Taper: Unidentified

LB-1364 (used for beginning)
LB rating: A
Taper: Bobby Bourbon

CDs shared by OutsideTLaw
CDs > Toast Titanium 11.0.4 > SD2f disc images > iMovie 6.0.3.

DVD PRODUCTION PROCESS:
Produced by yassou on a MacBook Pro running Lion 10.7.5 and Apple software.
Audio and video assets edited in iMovie 6.0.3; authored, multiplexed and burned to VIDEO_TS folder in iDVD 7.1.2 (Professional Quality 2-pass variable bit rate encoding)

NOTES ON AUDIO SOURCES:
"Mixing Desk" audio (no LB listing)
Notes from monicasdude.com:
DB 2CD [T-670]

(1) Sands Casino (Atlantic City, NJ); February 27, 1999 (early)
(2) Sands Casino (Atlantic City, NJ); February 27, 1999 (late)

DEEP: Both Atlantic City February 1999 shows, complete, on two disks in "just shy of excellent" audience quality but by no means from the mixing desk. Both performances are quite good, the sound is there and it's a shame that Dylan chose not to be a little more adventurous with the set list, despite including a few gems. A worthwhile addition to the live canon.
rmd: Not that great, really. For the first show, the sound is fairly upfront and clear but nothing to get excited about. The performance has some moments of inspiration, but on the whole the standard setlist and exhausted singer add up to "just another night on the road." The late show has the better setlist and performances, but the sound is overcooked and fuzzy. (BC)
NOTE: The label's claim that these are line recordings "from the mixing desk" is plainly false, and the cover slips are relatively crude.

LB-1364 (used only for Beginning)
LB notes:
source: FOB/ORTF Schoeps MK4s>VMS>SBM>M1, transfer: D>HHb CDR830>CDRW>EAC>CDWAV>MKW>SHN ; excellent sound (A)
note: 1:10.28 of audience edited out using CDWAV between tracks 11 and 12

Reviewed by yassou on 18th November 2013